Ek pyar ka nagma hai, maujon ki rawani hai
Zindagi aur kuch bhi nahi teri meri kahani hai
Kuch paakar khona hai, kuch khokar paana hai
Jeevan ka matlab toh aana aur jaana hai
Do pal ke jeevan se ek umar churani hai
Zindagi aur kuch bhi nahi teri meri kahani hai
Ek pyar ka nagma hai
It's a song of love, it's a flow of ecstasy
Life is nothing but a story about you and me
We have to attain something and lose something
The meaning of life is coming and going
We have to steal a lifetime from this short life
Life is nothing but a story about you and me
It's a song of love
Life is nothing but a story about you and me
It's a song of love
This song from the film Shor. I identify it with my childhood days at the Raj Bhavan. I first heard this song on the streets of New Market, where Mani (my mother) and I had gone to buy a wedding gift. My Mani used to sing this song while arranging things in the house or whenever she was painting a pot or sewing something. She was a trained Rabindrasangeet singer but while doing household chores, she used to belt out melodious Hindi film songs.
In keeping with Lord Metcalfe’s imperial vision, the meticulously structured Raj Bhavan or Governor's House was specially created away from the rest of the metropolis, magnificently proportioned amidst acres of formal gardens. Tall, intricately patterned wrought iron gates with massive lions perched atop reiterated the same majestic message. The ‘plebian’ and the ‘common man’ were to be kept out of what was the abode of the Governor-General, the symbol of power and might of the monarch and the Throne.
My father served three successive Governors — Shri Dharm Vira, Shri Shanti Swarup Dhawan and Shri Anthony Lancelot Dias. Childhood was filled with lots of protocols, Raj Bhavan get-togethers, music, bonhomie, theatres, movies, adda, art and culture, literary debates, family outings to Victoria Memorial, Academy of Fine Arts, Diamond Harbour. The Naxalite movement, the 1971 War between India and Pakistan were also witnessed with my infant instincts and knowledge. Now when I administer Prayasam, I know from where I honed the meticulous planning, value of time and the rich cultural insights which have come to me from my family as a legacy. The first film I watched in Darjeeling where we used to accompany my father during the summer was Goopy Gyne Bagha Byne. So, my initial grooming was done within a rich cultural milieu. This helped me a lot as when I started my career in Prayasam with the children. I wanted to pass on this cultural insights to them but I customized it according to their receptive capacity and interests.
I don’t know what you have given me to drink
It was real fun
I started dancing like a man possessed
Jaane kya pilaaya tune
Bada maza aaya
Jhoom uthi re main
Mastaani deewaani
Here for the first time I experienced community film viewing under the open sky. I watched Pather Panchali, Rajlokkhi Srikanto and many more, and family outings primarily meant going to watch mainstream Bengali movies like Phuleshwari, Sadhu Judhisthirer Karcha, Dhanni Meye, etc and started relating myself to one of the main characters of the films that I watched. I was glued to the world of cinema. This eventually helped me while exposing Prayasam’s youth Directors to filmmaking craft. While staying there we went to Digha for a short trip. I saw the sea. What an experience. Collecting shells, going deep into the sea with one of my uncles…we had a blast. So, though we stayed there for a very brief period of time (a year-and-a-half) I had very fond memories attached to Tollygunge. Lot of FIRSTS I experienced there…some I can tell, some I have buried within myself. It was really intoxicating, like the song Jaane Kya Pilaaya tune….